Greg Streak
Seeing red, feeling blue
2 May - 30 May 2013
Commune.1 is pleased to announce ‘Seeing red, feeling blue’, Greg Streak’s first solo exhibition with the gallery.
Streak’s sculptures present the illusion of possibility and hope, however through various interventions they proceed to pull the rug from under the viewer’s feet dispelling all former optimism. Inherently functional objects have their functionality removed: solid cast light bulb incapable of shedding light, a core-drilled set of Encyclopedia’s with it’s ‘core’ unusable, the removed parts suspended in an acrylic vial on the other side of the gallery, and a traditional library-style index card drawer cast in bronze and thereby rendered impenetrable. The ‘doodle’ thematic (and it’s sense of futility or lack of operation) runs throughout and ultimately manifests in several actual doodles, one being three-dimensional and constructed from 400 continuous metres of 4mm wire, powder coated to a royal ‘ballpoint’ blue and the other a colossal dense ballpoint drawing that appears as a solid block of colour. The latter artwork is a scale accurate homage to Barnett Newman’s 1951 painting, Cathedra. While on show at the Stedelijk Museum in Amsterdam in 1997 Cathedra was vandalized and hence ultimately stripped of its own function. Streak’s works, although frank in their form, remain open-ended and complex in their intended meaning.
The exhibition marks Streak’s first show in South Africa since his critically acclaimed exhibition ‘Nothing Lasts Forever’ shown at Art Amsterdam and at the Soledad Senlle Gallery in 2010.
Greg Streak (b. 1971. Bulawayo, Zimbabwe) is an interdisciplinary art practitioner working in sculpture, video, installation and documentary filmmaking. His minimalist aesthetic is characterized by formalistic concerns and a preoccupation with the materiality of substance and things, but also space, both physical and psychological.
Streak completed his MFA with distinction at the then Technikon Natal (1996-1996) before securing a coveted place, and becoming the first South African artist to be accepted into the two year residency at Rijksakademie in Amsterdam for two years (1997-98). In 2007 he was awarded an Ampersand fellowship in New York. He is the founder member and coordinator of PULSE – an artists run initiative linked to the RAIN Artists’ Initiatives Network. Under the umbrella of PULSE, he has organised numerous international projects including the critically acclaimed Hiv(e) project in 2004. Streak has exhibited extensively both internationally and locally and his work is held in numerous private and public collections.
Streak lives and works in Durban, South Africa and Amsterdam, Netherlands.

Installation view

Installation view

Hotspot (2013) detail
Galvanised mild steel, nylon tube and telephone wire
210 Ø x 50cm

Proposal for a Doodle (2011/2012)
Ballpoint pen on fabriano
140 x 30 x 220cm

Crumpled doodle (2012/2013)
Ballpoint pen on fabriano
55 x 55 x 45cm

Doodle for Cathedra (for Barnett Newman) (2013)
Ballpoint pen on canvas
200 x 447cm

Doodle for Cathedra (for Barnett Newman) detail (2013)
Ballpoint pen on canvas

Left: Flesh (2013)
MDF, enamel and polish
171 x 10 x 277cm
Right : Bone (2013)
Material One, triaxyl glass, enamel and polish
171 x 10 x 277cm

Bone detail (2013)
Material One, triaxyl glass, enamel and polish

Flesh (2013)
MDF, enamel and polish
171 x 10 x 277cm

Flesh detail (2013)
MDF, enamel and polish

… And this little piggy l-lll (2013)
Installation view

… And this little piggy l-lll (2013)
ZAR, cotton thread, mild steel, batting and shutterply
45 x 40 x 75cm
Edition 1 + 1AP

Bad Idea (2013)
Material One, black oxide and polish
30 x 15 Øcm
Edition 10

Precious Nothing (2012/2013)
Powder-coated galvanized wire
Approx. 120 x 140 x 230cm

Precious Nothing detail (2012/2013)
Powder-coated galvanized wire

Limelight (2013)
Neon tube
12 x 32cm

Things fall apart (for Chinua Achebe) (2013)
Mild steel
Approx. 150 Ø x 600cm

Things fall apart (for Chinua Achebe) detail (2013)
Mild steel

Fake empire (2012)
Encyclopedias and mild steel
35 x 23 x 100cm
1 in a version of 2

Vial of useless information (2012)
Acrylic tube, paper and brass
10 Ø x 100cm

Archive for Amnesia (2013)
Bronze
42 x 8 x 101cm
Edition of 3 +1 AP